Piled High | 48"x48" | Acrylic on canvas
This large abstract painting, uses a muted palette of blacks, grays, whites, and soft beige tones setting a contemplative mood. Gestural brushstrokes and angular forms converge to suggest a familiar, if obscured, domestic scene. At the center, a chair-like shape emerges, partially buried beneath a dense layering of forms. The composition feels precarious, with grid-like structures, arcs, and ladder motifs evoking a sense of upward accumulation.
What may initially seem like abstract chaos reveals itself as a quiet symbol of emotional or physical overwhelm—a chair transformed into a resting place for unaddressed clutter, memory, or responsibility. The interplay between opaque and translucent layers mirrors the tension between containment and overflow. This painting becomes a portrait of the everyday pushed to its limits, rendered with both restraint and urgency.
This painting is unstretched and will ship rolled.
This large abstract painting, uses a muted palette of blacks, grays, whites, and soft beige tones setting a contemplative mood. Gestural brushstrokes and angular forms converge to suggest a familiar, if obscured, domestic scene. At the center, a chair-like shape emerges, partially buried beneath a dense layering of forms. The composition feels precarious, with grid-like structures, arcs, and ladder motifs evoking a sense of upward accumulation.
What may initially seem like abstract chaos reveals itself as a quiet symbol of emotional or physical overwhelm—a chair transformed into a resting place for unaddressed clutter, memory, or responsibility. The interplay between opaque and translucent layers mirrors the tension between containment and overflow. This painting becomes a portrait of the everyday pushed to its limits, rendered with both restraint and urgency.
This painting is unstretched and will ship rolled.
This large abstract painting, uses a muted palette of blacks, grays, whites, and soft beige tones setting a contemplative mood. Gestural brushstrokes and angular forms converge to suggest a familiar, if obscured, domestic scene. At the center, a chair-like shape emerges, partially buried beneath a dense layering of forms. The composition feels precarious, with grid-like structures, arcs, and ladder motifs evoking a sense of upward accumulation.
What may initially seem like abstract chaos reveals itself as a quiet symbol of emotional or physical overwhelm—a chair transformed into a resting place for unaddressed clutter, memory, or responsibility. The interplay between opaque and translucent layers mirrors the tension between containment and overflow. This painting becomes a portrait of the everyday pushed to its limits, rendered with both restraint and urgency.
This painting is unstretched and will ship rolled.